" Critical " ...

" Critical " by Suzán Jiván Mom & Mom-Mom Suzán

Critical questions racing through texts players and events inflated senses of selves
thick-headed fairy realms valued aspects music stretches bare-chested successes
" 1966 and all that " like letters to the editor involving enmity and feuding Vol. II
with long views of short histories new moralities in lengthy essays in the company
of strangers viewing nature spaces and traces merely condensed by experiment surging ahead
unexpressedly and inexpensivel in brief for soul self and society issued with stiff upper lips
given mythical significance by natural history pivotingly clingy short-listed captions
for reluctant travelers being granted bail in fragments from barriers strengthening sterling
metaphorically tipping doughty gladiators in tantalizing landslides while wiggling out
within think tanks having had the significance extracted by conceptual straight jackets
after taking the stand with avarice and madnesses most striking aspects giving airs
initiating civil cases sitting and waiting in vain via phasing roll call taken across decades
for scapegoats popping bottles of champagne for the age-old occasion all for the cause
of "one-for-all-and-all-for-one: what's this one for?" incidental garnishes? undeniable
ominous aesthetic spectacles trying to find themselves as a requirement of curiosity
"Curiosity killed a cat satisfaction brought him back" as valid without a doubt
It's all talk It's just talk yackity-yack don't talk back as forthcoming manuscripts
vulgar tasteless inaccurate busily unpacking left zealously at large by calls to arms
in street cars named "Desire" like integral ideas subtitled, "Swinging" over "Absurdity"
balking cork-screwing circuitous routes processes to disprove according to moods
versus points of view ninety-degree hypotenuse equilateral algebraic calculations
based on broad generalities reputed to be eager fans of making tracks in broadbands
that can't fail like pastoral matters of "What's happening and how!" as a sell out to,
"I've got the power!" everlast under armor branding playing their part throwing darts
in fits and starts potentials for reality series for gazetteers during nosebleeds
in various schemes with red hankies waving over fields of glory made manifest
 by presented evidence unlike dilemmas being re-remembered more than anything else
like how to pack for career advancement in high fashion while watching industries
gathering in a souped-up vintage cars snickering from the back seat wearing clown wigs
displayed on screens depicted as, "mean" " no worries " showing no fear donning scrunchies
pronounced "High Design" as opposed to big bows barely wiggling during plug-and-play
video games mutating "Don't let hate get in the way!" on windy days half empty bottles of rosé
over generations community based without great expectations for promotions or raises
wait-your-turn resonations turning page-after-page spurring changes seated at fold-up tables
along runways of celebration in the back of a checkered cab, "She's got baggage!" at high angles
of "not exactly" stripped of happiness placed in a madhouse by insurgent masses
left unchallenged and unembarrassed after entering into contact and feeling mishandled
being humored like a fractious child pockets bulging out in theory and practice
as mourners stifle their laughter long suffering staffs likened to pig tails bellowing in agony
from the outset pushed over the edge medics coming into question in retrospect
struck  by ill health not ending well paying last respects...